There are two kinds of people, my friend
Returning from a short long drive on Mysore Road last week, Tejaswi and me (or is it I) got into a discussion. We (Tejaswi and I, not me and I) generally cant seem to agree fully on any subject but we did on this ocassion. Maybe it was the very sweet tea we had at Hotel Sudeep on Mysore Road. So what was the universal truth we agreed on? That regularly updating a blog with something good and original is a very very tough job.
I have been down this path before. And the reason I was AWOL for these many months was for the simple reason that I was not happy with the way the blog was going; which was nowhere. Having said that, I have decided to write one good article every week. Good. Now thats off my chest. How am I feeling? Decidedly un-optimistic. Lets see how it goes.
I randomly chanced upon the music of The Good, The Bad and The Ugly the past week. One song caught my fancy. Its been 4 days, and I havent been able to change tracks yet. Not the track which every one starts whistling before you can say "Clint Eastwood", but something which is titled "The Trio" on my iPod. And this is the track which is the background score for the climax of the movie.
The movie is the last of what is called "The Dollars Trilogy", coming on the heels of "A Fistful of Dollars" and "For a Few Dollars More". The backdrop for the movie is the American Civil War. The three main characters walk through the movie trying to make the best of it by chasing its spoils, with an implicit acceptance of its absurdity. You can read more about the movie here. I am going to speak about the climax.
This was the first Mexican standoff I saw, and to this date, remains the best by far. Why? Because of the cinematography, the score, the characters, and most of all - supreme style. The way Blondie throws his poncho across his shoulder exposing his gun and walks nonchalantly backward, the way Angel Eyes stares at Tuco's holster when he starts to draw it out, the long shot of the three men moving slowly into position (the synchronization with Morricone's score is amazing) with the backdrop of the cemetery, Tuco's fingers fidgeting as the tension slowly gets to him, the unsure glances from Angel Eyes, the way Blondie steadily stares at Angel Eyes all the time puffing away at the cigar, the way Angel Eyes' fingers (minus the tip of the middle finger) inch toward the gun, and retract when he realizes Blondie is watching him, the music relentlessly building up, and then the gunshot of finality. Sheer Movie Magic. Undoubtedly one of the greatest movie climaxes of all time.
Eastwood (in his distinctive drawl): In this world, there are two kinds of people my friend - Those with loaded guns, and those who dig.

